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Search titles only. Search Advanced search…. New posts. Search forums. Log in. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. Thread starter girija chandru Start date Nov 15, Joined Oct 24, Messages 10, Location coimbatore. Today, i am starting this thread, to reminisce in the beautiful sloga "Gopika Geetham" I know this sloga at the age of I used to wonder and pander in thinking of Lord Krishna and rasaleela done by him with gopikas How i long to be one of the gopikas of his time in vrindaavan??

This projects the depth of Viraha Thaapam suffered by Gopis when Krishna diappears and their pure Prema Bhakthi and the highest spiritual heights attained by them. This song also brings out the Sringaara Rasam of Gopis with Krishna.

This is to be sung with devotion, in rapt attention and reverence without any Thaala or sounds. Gopis who enthralled in the presence of Krishna with ecstasy during the Raasa Leela, thoughtless about their worldly duties, relations and existence and always longed for Krishna's company, had developed an EGO, i. He disappears temporarily from there midst and made Himself not reachable by them.

At this time, Gopis felt loneliness and could not concentrate on their work and grieved over the absence of Krishna. When Krishna suddenly disappeared from the company of the gopis, they started searching for him in every place. Unable to find him, they started behaving in strange manner. They asked the trees, plants and animals in the forest whether they have seen Krishna?

Unable to get any answer from them, they asked each other about the whereabouts of Krishna. After much searching, they all sat down fatigued and started imitating the different pastimes they had with Krishna. Some gopis found the footprints of Krishna and begin to follow them Soon they saw another set of footprints beside the imprints of lotus-feet of Lord Krishna.

That very moment Krishna immediately disappeared under her and Radha was left hanging on the branch. All the gopis came where Radha was hanging from the branch of the tree and heard everything from her.

They felt sympathetic about her and together, they proceeded in search of Krishna. When they were unsuccessful in their endeavor, they set down on the bank of River Yamuna and started chanting the glories of Krishna.

They repeatedly requested Krishna to appear again. On hearing their plea, Krishna reappeared before the gopis and tried to pacify them. After this Krishna began the Rasa dance. Krishna danced amidst the gopis.

Krishna multiplied himself into many Krishnas and each form stood beside every gopi, so that each gopi thought that Krishna was dancing with her alone. There were three kinds of rasa going on simultaneously.

One: Kanha and one gopi, personal meeting. One: Kanha and two gopis, social meeting. One: Gopis encircling Radha Rani and Krishna while all their senses centred around Krishna, the final and lasting meeting.

The dance was a perfect tuning of rhythm, body movements and music. The movements of their extremities, earrings, hair with flowers and their smiling at each other produced a wonderful dance. To see this wonderful dance, many demi-gods accompanied by their wives had arrived in the sky.

The Gandharvas and Kinnaras began to sing and showered flowers on the dancers. Visha jalapyaya Krishna;dyavla raakshasa, Dwarsha marutha krishna; dwaidhyuthanalath, Vrusha mayathmaja Krishna;dwisatha bhaya, Drushabha, they vayam Krishna; rakshasha muhu.

Virachitha bhayam krishna; vrushni dhurya, they, Charana peeyushaam krishna; samsyather bhayath, Kara saroruham, krishna; kantha, kamadham, Sirasi nehi na krishna; sree kara graham. Pranatha dehinam, krishna; papa karshanam, Truna charanugam, krishna; sree nikethanam, Phani phanarpitham, krishna; they padambujam, Krunu kucheshu na, krishna; kreedi hruchayam. Thava kadamrutham, krishna; thaptha jeevanam, Kavebhheereeditham krishna; kalmashapaham, Sravanamangalam krishna; sree madhathatha, Bhuvi grunwanthi, krishna; they booritha jana.

Chalasi yadi vruja krishna; charayan pasoon, Nalina sundaram, krishna; Nadha they padam, Shila shrunangurai,krishna; seedhtheethi, na, Kalilatham mana krishna; kantha gachathi.

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Gopika Geetham

One of the most important approaches to attain salvation is through unalloyed devotion bhakti. This is called Bhakthi Yoga. This method does not need great intellectual capability or great stamina to do different yogas or detachment to the achievable results. This devotion can be of several types depending on the personality of the devotee.


Gopika Geetham -- Song of separation

Post a comment. Follow by Email. By this way, Gopis are teaching us Prema Bhakthi — how to tread upon and be successful in our daily life. Ps: Where the Lord dwells there one can see presence of Goddess Mahalakshmi — though true devotees of Lord were poor outwardly they were rich in their mental poise and fragrance.


gopika geetham


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