With the ALEXA cameras, the full area of the sensor is used and a much higher image quality retained. In addition, the unique optical characteristics of anamorphic lenses the magic at the heart of anamorphic cinematography are rendered faithfully and fully in the digital image. The Studio might typically function as an A-camera, the Plus as a B-camera and the M as a compact, versatile C-camera. Download User Manual Alexa Plus ALEXA is a compact, lightweight and affordable digital camera that will redefine the limits of motion picture capture with ultra-fast workflows and image quality akin to 35mm film. From major motion pictures and high end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of applications and budgets.

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Stay informed with our Coronavirus-related updates. View Our Service Certifications. This feature-packed camera has one of the largest groupings of recording format options on the market. Its unique, tall sensor is ideal for capturing anamorphic. The ARRI Color Tool improves your in-camera grading while the natural color reproduction of the image processor delivers realistic skin tones. There is a set available with additional accessories.

Ever since its launch, the ALEXA system's fundamental advantage has been its unique combination of the highest overall image quality with the most efficient workflows on set and in post. Integrating the wireless and lens control infrastructure into the camera not only saves time, but also weight, as a setup with an ALEXA SXT EV and an external motor control box would be more cumbersome to cable and heavier. A completely overhauled image processing path provides additional improvements to the ALEXA best overall image quality.

An advanced defect pixel correction will provide cleaner images. Most ProRes recording formats benefit from the increase in in-camera processing speed through faster maximum frame rates. Other formats get a boost in maximum fps when used with the new SXR capture Drives. Check out the list of frame rates in ARRI's handy graphic. The ALEXA sensor provides high dynamic range images through an unequalled exposure latitude with special consideration given to highlight treatment.

ALEXA's wide exposure latitude translates into a 'thick' digital negative; there is more detail information in the highlights and in the dark areas than any of the current display technologies can show. Whatever the budget, intended market, resolution requirements, aspect ratio, lens choices or postproduction plans, there is an ideal ALEXA SXT recording format to ensure easy operation on set and a seamless image pipeline.

The camera creates a ready-to-view ProRes file in the 2K DCI delivery format x , so no debayering, cropping, rescaling or de-squeezing is needed in post. The camera creates a ready-to-view ProRes file in the 4K DCI delivery format x , so no debayering, cropping, rescaling or de-squeezing is needed in post. It has the immediacy and speed of ProRes, plus a lower data rate than Open Gate and works with smaller image circle than Open Gate.

Open Gate ProRes 3. Use the full image area with ARRI Super 35 PL mount lenses, or gain extra room for repositioning, stabilizing and tracking when using lenses with an image circle covering a 2.

For VFX it is important to record uncompressed raw, because compression artifacts make compositing more difficult. ARRI provided a helpful Lens Illumination Guide resource on their site to determine which lens covers which sensor mode and target aspect ratio. Anamorphic cinematography produces a widescreen look that has long been appreciated by filmmakers and audiences worldwide.

The unique tall sensor of ALEXA cameras maximizes resolution when using anamorphic lenses and ensures the distinct optical qualities of those lenses are rendered faithfully in the digital image. Since ALEXA's sensor has almost exactly the same dimensions as a 35 mm film image, anamorphic lenses maintain their field of view. Dividing the CinemaScope aspect ratio of 2. The sensor mode captures only the image area needed by anamorphic lenses for a 2.

ARRI's improvement of color grading and look files lets you retain your look from prep to post. The version ACT 1. With all look information stored in the metadata of recorded files, this new system enables live grading on set, as well as automated dailies and editing with looks.

Early and wide adoption of the system by third parties ensures that the desired look is maintained throughout a smooth workflow, no matter what your preferred grading, dailies or editing tools.

Want to know more? Rich metadata is recorded into every format and the new ARRI look management maintains, protects and shares the cinematographer's look on set, in dailies creation and in editing. Each output has completely independent settings such as image processing, surround view, status info, peaking and false color.

Be sure to review the graphic representing how four independent monitoring outputs might be used on set. You can also capture better frame grabs in all sensor modes. The source of the frame grab can be freely assigned: either as a. Sophisticated selection of memory, careful manufacturing processes and a modern, robust housing design make these the most reliable media on the market.

The camera's electronics are housed in a sealed compartment in the center of the body. The heat generated is transported via heat pipes to a radiator located in a ventilation shaft at the back of the camera. A single, silent and slow running silent fan cools the radiator. This system ensures effective, active cooling of the sensor and processing boards even in the hottest climates.

At the same time it protects the electronics, thereby rendering the camera splash and dust proof. To further improve the legendary stability of the ARRI lens mount, ALEXA's stainless steel lens mount is attached to a stainless steel distance barrel, which itself is attached to the sensor mount. The whole unit is then attached to the camera body. By creating a fixed link between lens and sensor all the orange parts in the second drawing , a super stable flange focal depth is ensured - even if strong mechanical influences are applied to the lens mount, such as when a heavy zoom lens is not properly supported.

Using stainless steel ensures minimum material expansion or contraction during temperature changes. Featured Products. Deposit: A deposit reserves this item and will be applied to the final purchase price. See product page for details. Abel Code: AR-K1. Code: K1. Estimated to Ship — weeks. Special Order Only This is a special order item. You will be charged upon placing your order, which is non-cancelable and non-returnable. Key Highlights. See All. Add To Cart. Wishlist Item has been added to wishlist!

View Available Rental Options. Recommended Products. Overview Specifications. High Dynamic Range The ALEXA sensor provides high dynamic range images through an unequalled exposure latitude with special consideration given to highlight treatment.

What's in the Box Viewfinder Cable Short 0. PL - 54 mm stainless steel LDS. ND Filter:. Left or Right. Grip Appearance:. Power Input:. Battery Pack - BAT connector, optional battery adapter back or optional battery adapter top.

All inputs accept Recording Format:. Apple ProRes 2. Sensor Size:. Full Frame 35mm. Sensor Type:. Sensor Dynamic Range:. Low Pass Filter:. EVF Features:. Exposure Assist. EVF Imagery:. Camera Weight Body :. Camera Options:. Camera Body Only. Camera Features:. White Balance - Presets for tungsten , fluorescent , daylight and daylight cool. Automatic calculation or manual white balance for to Kelvin, adjustable in K steps. Imaging Processor:. Ethernet Interface:.

Shutter Angle Settings:. Image Capture Notes:. Shutter Type:. Electronic rolling shutter. Shipping Width:. Tech News. View article. Company News. View All.


ARRI ALEXA Plus 4:3 Manuals

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ARRI ALEXA User Manual SUP 5.0 (4.5 MB) - ARRI CSC

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ARRI ALEXA SXT Plus Camera Body


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