HENRY BRANT TEXTURES AND TIMBRES PDF

Textures and Timbres : An Orchestrator's Handbook. Henry Brant. From his childhood on, Henry Brant had undertaken a study of the existing much-admired orchestration texts some with wide circulation. In many of them he discovered not only errors of fact, but also significant areas of omission.

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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Textures and Timbres by Henry Brant. In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on hoped-for evocations of mystic visions rather than the actual, practical qualities of instruments.

Textures and Timbres focuses on the study of acoustic instrumental tone-qualities, offering comprehensive systematic procedures for balancing and mixing them, both in harmonic and linear contexts. Get A Copy. Paperback , 1 page.

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Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Nov 08, Joe rated it liked it. A useful introduction to a conceptual way of understanding orchestration. Colin Broom rated it it was amazing Sep 30, Lubitza Braikova rated it it was amazing Feb 20, Carolyn rated it it was amazing Jun 30, Thomas Bryla rated it it was amazing Jan 29, Jenny rated it it was amazing Aug 15, Autumn Maria Reed rated it it was amazing Feb 23, Nathan rated it really liked it Jul 27, Margaret rated it really liked it Jan 05, Aina Sandoval rated it really liked it Aug 16, Jan 22, Mills College Library added it.

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Textures and Timbres: An Orchestrator’s Handbook

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Textures and Timbres by Henry Brant

If you think about it, what an orchestration book is—is a labor of love for a composer, who might better spend the time actually composing and orchestrating. It is an unusual book. There is nothing quite like it. You can count on three fingers such recent examples of composer-written orchestration books. This one is a course outline with all the important categories, but not the examples or commentary. Other specialized books for jazz or avant-garde and experimental music are not by important composers, though some are certainly useful guides for students. The hard demographic truth is that few young or even any composers unless in a privileged conservatory setting, are going to have the full palette with which Brant quantizes his results.

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Textures and Timbres

Henry Brant's new guide to orchestration is, in fact, the result of his lifelong work as a conductor, composer, and teacher, its first page written in the s, and its final page written in In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on "hoped-for evocations of mystic visions" rather than the actual, practical qualities of instruments. Textures and Timbres focuses on the study of acoustic instrumental tone-qualities, offering comprehensive systematic procedures for balancing and mixing them, both in harmonic and linear contexts. The lessons and inspirationshared in this text span Brant's entire career, from his work in commercial radio to his orchestration classes at the Juilliard School and orchestrations of numerous Hollywood film scores. Textures and Timbres: An Orchestrator's Handbook is an absolutely vital tool for composers and conductors. Convert currency.

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Textures and timbres : an orchestrator's handbook

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