KALI SAHASRANAMAM TELUGU PDF

This story is from August 9, Goddess Durga is said to be one of the most powerful deities in the Hindu religion. This all sums up to say that Goddess Durga blesses her worshippers with strength, patience and many such virtues, but she even destroys the things that need to be destroyed. She treats her worshippers just like a mother treats her children. She loves in a most caring way and she is equally likely to get angry when required. One of the best ways to appease her is by chanting her mantras.

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Kali is the chief of the Mahavidyas , a group of ten Tantric goddesses. Kali's earliest appearance is that of a destroyer of evil forces. Kali is worshipped by Hindus throughout India. Her most well-known appearance on the battlefield is in the sixth century Devi Mahatmyam. The deity of the first chapter of Devi Mahatmyam is Mahakali, who appears from the body of sleeping Vishnu as goddess Yoga Nidra to wake him up in order to protect Brahma and the World from two demons, Madhu and Kaitabha.

When Vishnu woke up he started a war against the two demons. After a long battle with Lord Vishnu when the two demons were undefeated Mahakali took the form of Mahamaya to enchant the two asuras. When Madhu and Kaitabha were enchanted by Mahakali, Vishnu killed them. In later chapters, the story of two demons who were destroyed by Kali can be found. Chanda and Munda attack the goddess Durga. Durga responds with such anger it causes her face to turn dark, resulting in Kali appearing out of her forehead.

Kali's appearance is dark blue, gaunt with sunken eyes, and wearing a tiger skin sari and a garland of human heads. She immediately defeats the two demons. Later in the same battle, the demon Raktabija is undefeated because of his ability to reproduce himself from every drop of his blood that reaches the ground.

Countless Raktabija clones appear on the battlefield. Kali eventually defeats him by sucking his blood before it can reach the ground, and eating the numerous clones.

Kinsley writes that Kali represents "Durga's personified wrath, her embodied fury". Other origin stories involve Parvati and Shiva. Parvati is typically portrayed as a benign and friendly goddess. The Linga Purana describes Shiva asking Parvati to defeat the demon Daruka, who received a boon that would only allow a female to kill him. Parvati merges with Shiva's body, reappearing as Kali to defeat Daruka and his armies.

Her bloodlust gets out of control, only calming when Shiva intervenes. The Vamana Purana has a different version of Kali's relationship with Parvati. When Shiva addresses Parvati as Kali, "the dark blue one," she is greatly offended. Parvati performs austerities to lose her dark complexion and becomes Gauri, the golden one. Her dark sheath becomes Kausiki , who while enraged, creates Kali. In relation to Shiva, she [Kali] appears to play the opposite role from that of Parvati.

Parvati calms Shiva, counterbalancing his antisocial or destructive tendencies; she brings him within the sphere of domesticity and with her soft glances urges him to moderate the destructive aspects of his tandava dance. Kali is Shiva's "wife" as it were, provoking him and encouraging him in his mad, antisocial, disruptive habits.

It is never Kali who tames Shiva, but Shiva who must calm Kali. They soon find that they have worsened the situation for with every drop of blood that is dripped from Raktabija he reproduces a clone of himself. The battlefield becomes increasingly filled with his duplicates.

The Devi Mahatmyam describes:. Out of the surface of her Durga's forehead, fierce with frown, issued suddenly Kali of terrible countenance, armed with a sword and noose. Bearing the strange khatvanga skull-topped staff , decorated with a garland of skulls, clad in a tiger's skin, very appalling owing to her emaciated flesh, with gaping mouth, fearful with her tongue lolling out, having deep reddish eyes, filling the regions of the sky with her roars, falling upon impetuously and slaughtering the great asuras in that army, she devoured those hordes of the foes of the devas.

Kali consumes Raktabija and his duplicates, and dances on the corpses of the slain. Kali is portrayed mostly in two forms: the popular four-armed form and the ten-armed Mahakali form. In both of her forms, she is described as being black in colour but is most often depicted as blue in popular Indian art. Her eyes are described as red with intoxication and in absolute rage. Her hair is shown disheveled, small fangs sometimes protrude out of her mouth, and her tongue is lolling.

She is often shown wearing a skirt made of human arms and a garland of human heads. She is also accompanied by serpents and a jackal while standing on the calm and prostrate Shiva, usually right foot forward to symbolize the more popular Dakshinamarga or right-handed path, as opposed to the more infamous and transgressive Vamamarga or left-handed path. In the ten-armed form of Mahakali she is depicted as shining like a blue stone. She has ten faces, ten feet, and three eyes for each head.

She has ornaments decked on all her limbs. There is no association with Shiva. The Kalika Purana describes Kali as possessing a soothing dark complexion, as perfectly beautiful, riding a lion, four-armed, holding a sword and blue lotuses, her hair unrestrained, body firm and youthful. In spite of her seemingly terrible form, Kali Ma is often considered the kindest and most loving of all the Hindu goddesses, as she is regarded by her devotees as the Mother of the whole Universe.

And because of her terrible form, she is also often seen as a great protector. When the Bengali saint Ramakrishna once asked a devotee why one would prefer to worship Mother over him, this devotee rhetorically replied, "Maharaj, when they are in trouble your devotees come running to you.

But, where do you run when you are in trouble? Kali's most common four armed iconographic image shows each hand carrying variously a crescent-shaped sword or a giant sickle, a trishul trident , a severed head, and a bowl or skull-cup kapala collecting the blood of the severed head. Two of these hands usually the left are holding a sword and a severed head. The sword signifies divine knowledge and the human head signifies human ego which must be slain by divine knowledge in order to attain moksha.

The other two hands usually the right are in the abhaya fearlessness and varada blessing mudras , which means her initiated devotees or anyone worshipping her with a true heart will be saved as she will guide them here and in the hereafter. She has a garland consisting of human heads, variously enumerated at an auspicious number in Hinduism and the number of countable beads on a japa mala or rosary for repetition of mantras or 51, which represents Varnamala or the Garland of letters of the Sanskrit alphabet, Devanagari.

Hindus believe Sanskrit is a language of dynamism , and each of these letters represents a form of energy, or a form of Kali.

Therefore, she is generally seen as the mother of language, and all mantras. She is often depicted naked which symbolizes her being beyond the covering of Maya since she is pure nirguna being-consciousness-bliss and far above Prakriti. She is shown as very dark as she is Brahman in its supreme unmanifest state. She has no permanent qualities—she will continue to exist even when the universe ends.

It is therefore believed that the concepts of color, light, good, bad do not apply to her. Mahakali, in Sanskrit, is etymologically the feminized variant of Mahakala or Great Time which is interpreted also as Death , an epithet of the God Shiva in Hinduism.

Mahakali is the presiding Goddess of the first episode of the Devi Mahatmya. Here, she is depicted as Devi in her universal form as Shakti. Here Devi serves as the agent who allows the cosmic order to be restored. Kali is depicted in the Mahakali form as having ten heads, ten arms, and ten legs. Each of her ten hands is carrying a various implement which varies in different accounts, but each of these represents the power of one of the Devas or Hindu Gods and are often the identifying weapon or ritual item of a given Deva.

The implication is that Mahakali subsumes and is responsible for the powers that these deities possess and this is in line with the interpretation that Mahakali is identical with Brahman. While not displaying ten heads, an "ekamukhi" or one headed image may be displayed with ten arms, signifying the same concept: the powers of the various Gods come only through her grace.

Dakshinakali, is the most popular form of Kali in Bengal. There are various versions for the origin of the name Dakshinakali. Dakshina refers to the gift given to a priest before performing a ritual or to one's guru. Such gifts are traditionally given with the right hand. Dakshinakali's two right hands are usually depicted in gestures of blessing and giving of boons.

One version of the origin of her name comes from the story of Yama , lord of death, who lives in the south dakshina. When Yama heard Kali's name, he fled in terror, and so those who worship Kali are said to be able to overcome death itself. Dakshinakali is typically shown with her right foot on Shiva 's chest—while depictions showing Kali with her left foot on Shiva's chest depict the even more fearsome Vamakali Vamakali is typically shown with her left foot on Shiva's chest. Vamakali is usually worshipped by non-householders.

Shiva, fearing that Kali would not stop until she destroyed the world, could only think of one way to pacify her. He lay down on the battlefield so that she would have to step on him.

Seeing her consort under her foot, Kali realized that she had gone too far, and calmed down. In some interpretations of the story, Shiva was attempting to receive Kali's grace by receiving her foot on his chest. There are many different interpretations of the pose held by Dakshinakali, including those of the 18th and 19th-century bhakti poet-devotees such as Ramprasad Sen.

Some have to do with battle imagery and tantric metaphysics. The most popular is a devotional view. According to Rachel Fell McDermott, the poets portrayed Siva as "the devotee who falls at [Kali's] feet in devotion, or in the surrender of his ego, or in hopes of gaining moksha by her touch. In fact, Siva is said to have become so enchanted by Kali that he performed austerities to win her, and having received the treasure of her feet, held them against his heart in reverence. The growing popularity of worship of a more benign form of Kali, as Dakshinakali, is often attributed to Krishnananda Agamavagisha.

He was a noted Bengali leader of the 17th century and author of a Tantra encyclopedia called Tantrasara. Kali reportedly appeared to him in a dream and told him to popularize her in a particular form that would appear to him the following day. The next morning he observed a young woman making cow dung patties. While placing a patty on a wall, she stood in the alidha pose, with her right foot forward. When she saw Krishnananda watching her, she was embarrassed and put her tongue between her teeth.

Krishnananada took his previous worship of Kali out of the cremation grounds and into a more domestic setting. Samhara Kali, also called Vama Kali, is the embodiment of the power of destruction. Samhara Kali is the most dangerous and powerful form of Kali.

Samhara Kali is the chief goddess of Tantric texts. It is said that if Kali steps out with the left foot and holds the sword in her right hand, she is in the form of Samhara Kali.

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