Yoshiharu Tsukamoto : Well, I have many stories to tell. To begin with, I was always very interested in vernacular architecture. Vernacular architecture was developed by people in each region through trial and error over a long period of time, without any help from professionals. However, this is a way of steady-state society where tomorrow will be the same as yesterday. I understand that Modernism architecture is founded on our acknowledgement that such equilibrium between various factors constituting architecture is no longer possible after modernization, in a modernized society where the productivity drastically increased and the improved transportation mobility enabled people to move more freely.
|Published (Last):||21 July 2010|
|PDF File Size:||13.20 Mb|
|ePub File Size:||10.68 Mb|
|Price:||Free* [*Free Regsitration Required]|
The firm is well known for its domestic and cultural architecture and its research exploring the urban conditions of micro, ad hoc architecture. Yoshiharu Tsukamoto was born in Kanagawa Prefecture in He studied architecture at Tokyo Institute of Technology , graduating from his undergraduate degree in Momoyo Kaijima was born in Tokyo in She received her undergraduate degree from the Faculty of Domestic Science at Japan Women's University in and both her graduate M.
In she was the Architect in Residence at the University of Auckland. In the spring of , Yoshiharu Tsukamoto signed on to be a member of the Guggenheim Helsinki Design Competition jury. Buildings with curious shapes and inventive solutions for windows, drainage, and air-conditioning often arise in these urban situation.
Most of those buildings are cheaply built, and therefore are not spectacular in design and they use not the forefront of technology. However we are attracted by them. It's maybe because their presence produces a relaxed atmosphere and make us feel relieved. Pets, companion animals of the people, are usually small, humorous and charming. We find what we call "pet architecture", architecture having pet like characteristics, existing in the most unexpected places within the Tokyo city limits.
Behaviorological accounts are influences and based on the current social and physical environment in which the behaviour occurs, the personal history of the behaving organism, and the behavioural capacity of the given species. The behaviorologist discovers the natural laws which govern and dictate behaviour. Through this knowledge they then develop behaviour engineering technologies relevant to behaviour in many fields including architecture, education, and entertainment.
Architecture firm Atelier Bow-Wow is famous for its interpretation and use of the concept of behaviorology in its design work. According to founders Tsukamoto and Kaijima, behaviorology defines architectural expression through the understanding of the complex relationship between people the inhabitants of a space , the built environment, and urban space.
The study of a building's articulation, inherent properties of elements such as heat, wind, light, water and the understanding of individual and common human behaviour leads to a stronger localized architecture.
In the projects on Micro Public Spaces, such as Manga Pod , Furnicycle and White Limousine Yatai , Atelier Bow-Wow tries to create the new behaviours of the city and people through small furniture or non-enclosed public spaces that encourage active user participation and support individual body experience and behaviour.
So their projects construct situation rather than objects that they adjust 'the posture of people and their layout in a space'. Therefore, Micro Public Space , as the term micro indicates, is an attempt to take even the smallest space or object that is officially public and to add individual layer to it as making use of the space. However, according to Atelier Bow Wow, "Shamelessness can become useful", as these buildings intricately report of the urban condition of the city.
These, in fact, "epitomize a creative new, adaptive aesthetic that can be said to be the quintessence of Tokyo. Such an existence seems an antithesis of aesthetics, history, classification and planning, but it is interesting and refreshing as the architecture is simply a physical functional construct that has arrived at this point through a desperation in attempts to respond to the here and now and not anything else. This area is optimal for the investigation into the transformation of these building types over time as the area was spared destruction from the earthquakes and effects of war during the 20th century.
A society group's routines could become apparent in a week, or a community's in a year. For buildings, its behaviour may only become apparent after documenting its transformations over decades or centuries.
Void metabolism is an urban formula which focuses on void spaces which develop between buildings when they are rebuilt. This is a highly sustainable urban form which regenerates itself; with privately owned properties. It can be considered a type of metabolism, though quite different in content than the s architectural thought.
At that time concepts focussed on the composition of the vertical core. We can see that architects believed that the construction of the city would be carried out effectively through a concentration of power and capital. This would be determined by the initiatives of individual families, rather than the accumulation of central capital. If the urban formula of void metabolism begins with Tokyo's first developments in the s, then the oldest parts are already 90 years old.
With the year lifespan of houses, those in the original areas have, in theory, regenerated twice over. With this we witness a variety of building behaviours, reflecting the generational differences. Houses which are produced now are a part of the fourth generation, determined by the realities of void metabolism. Interior spaces be inviting for those who are not family members. The quasi-exterior spaces be introduced in a positive manner. The gap between neighbouring buildings be redefined.
Through text and photographs Behaviorology covers the majority of Atelier Bow-Wow's work up to including built projects, temporary exhibitions, art installations, architectural-furniture hybrids, and their research on architecture and urbanism. Through this ecological approach our imagination follows the principles of nature and experiences space from a variety of perspectives. When one is surrounded by and synchronized to the liveable rhythms embedded in different behaviors — there is no experience quite so delightful.
Following Tsukamoto's commentary, essays and a synopsis of each project are dispersed between an extensive number of large colour photographs of Atelier Bow Wow's works.
Made in Tokyo emerged from Atelier Bow Wow as a published text in It has also been represented in the form of catalogues, exhibitions, and even T-shirts. The bright yellow cover makes an immediate statement, echoing the impact the text has created by providing alternative methods for understanding the urban nature of Tokyo. Alternative that is, "as an antidote to the many Japanese publications dedicated to the extravagant buildings of the prosperous 'bubble' period.
A wide variety of typologies are listed, serving as "a survey of nameless and strange buildings of this city. Examples include the Sewage Courts , which function as a sewage disposal plant and sporting facilities, or the Highway Department Store , an expressway and department store.
These buildings can only exist in Tokyo. Each example is explained through diagrams and photographs, the text laid out in the form of a guidebook. This seems suitable for Tokyo where the scene is of never ending construction and destruction. The text can be viewed as a guide to the theories investigated by Atelier Bow Wow , as it expresses the basis of architectural and urban investigation which spurred on and underlies their work.
Bow-Wow from Post Bubble City is a publication that documents projects both in Japan and internationally. Kaijima and Tsukamoto introduce these theories at the beginning of each chapter in the form of a dialogue between the two architects, and the theories can subsequently be seen applied in the projects that follow in each chapter.
For example, the chapter [VIEW] addresses the importance of sight lines and views of occupants, however it does not discriminate between the picturesque scenery of Mt. Fuji and that of the densely built residential districts of Tokyo. Yet at the same time, systematically and compositionally they occupy a fairly Manneristic realm, and in this I feel that they exist isolated from the reality of life.
The publication documents Atelier Bow-Wow's projects using photographs, diagrams, drawings, statistics and descriptions. The text of the book is both in original Japanese and also translated into English. Building elements - both architectural and non-architectural — are depicted in their outlines, and labelled with a precise detailed notation of material, dimension, finishes, and textures.
The use of vertical and horizontal perspectives, together with magnified construction details allows for a new way of observing architecture not only as an object, but within that single frame consisting of many spatial compositions, between rooms and components, between interiors and their adjacent exterior environments, between actions and locations, and ultimately between humans and the spaces they inhabit.
That is where the aims of Atelier Bow-Wow lie. Whimsical studies compare dog breeds to chair types dogs and chairs, differences in expressions of hard and soft toys animal figures , and describe walking through stairways in train stations as a performance transfer.
The book pushes for a unity between environmental, human, and animal occupations of space. Echo of Space creates an overlying dreamlike analogy between architecture and an animal world, offering insight into architectural space from a uniquely Japanese perspective.
The Jig house is a two-storey house in the newly developed area of Funabashi, Chiba Prefecture built in The client was Shin Sugawara, an architectural paint dealer and the 8th ranking Kendo master in Japan.
Atelier Bow Wow reinterpreted the elements using contemporary architectural language such as replacing Washi-translucent, multi-purpose paper with fibreglass reinforced plastic FRP.
Traditional use of timber for the veranda is also replaced with industrial materials such as steel, concrete and paint in various shades. Due to the nature of the area, the site is surrounded with temporary asphalt paths and construction sites.
The ground level windows frame the formal garden whilst a 4 by 4-foot 1. Additionally the site is across the street from the wife's childhood home. The dwelling was for a couple with a young child who had just moved back from the city. As part of the Atelier's ideology, to maximise the potential of small spaces, the Architects had to step away from working vertically and start to develop the design horizontally.
The result was a single storey house which spreads out over nine different levels divided only by short stairs and three freestanding partitions. Since the architects decided to integrate features of the traditional minka farmhouses, they were able to create a new typology for the mixed agricultural and urban land that is found at the fringes of Japanese cities.
Additionally by using this traditional building style the architects were able to blend this expressive and open-to-the-street house with the adjacent pitched roof residences covered with metal siding or stucco. The minka style shows in the high peaked roof that serves as a substitute of a chimney, covered porch, the large fluid interior space and timber construction.
In addition the unusual roof was to accommodate for the extensive precipitation experienced in many parts of Japan. Thus the steeply peaked roof allowed the rain and snow to fall straight off it, preventing water from getting into the home. It is a term for buildings that have been squeezed into left-over urban spaces. The name "Pet architecture" refers to houses which have pet-like characteristics, such as being small, humorous, charming, rebellious, unexpected and adapt themselves to their environments.
As pet architecture does not use the forefront technology and does not make the appearance its first consideration, it is a great tool for users to customise their building on a low budget.
Since it is defined by using curious shapes and inventive solutions for drainage, windows and air conditioning, they highlight their unique location, produce a relaxed atmosphere and therefore help to relieve the occupant.
The Hanamidori Cultural Center is a multipurpose building built at Showa Memorial Park at Tachikawa,  Tokyo in just 10 minutes of walking distance from the Tachikawa rail station.
It occupies a total floor area of 6, The building includes exhibition space, workshops, cafe and library all built within the 15 cylinders that supporting an undulating roof covered by green.
The spaces between the cylinders are arranged with furniture that can change depending on function and form with a glazed external skin allowing for a visual connection with the exterior. The facade can be opened up in good weather providing an unhindered access to the exterior.
Located in Shinagawa-ku district of Tokyo, the House Tower, setting back from the street and rising over 11 metres in height, occupies only an Due to the site constraints, the house breaks from the conventional architecture planning, and is articulated as a single volume. The staircase also divides the house lengthwise into two areas. Ako House is located in a dense residential district zone, Setagaya, Tokyo. It is a three-storey residential building and with total site area of It took 7 months to design the house with 5 months of construction.
Reflecting this particular characteristic of the site into its design, the facade of the house is divided into five segments of equal length with slightly shifted angles.
Atelier Bow-Wow’s relational approach
Thank you. Priority Shipping dispatches available items first. Click for more information on our Delivery Options. The first book to document the Tokyo-based architectural firm, one of the most innovative practices working today. Achieving near cult status among architectural students around the world, Yoshiharu Tsukamoto and Momoyo Kaijima of Atelier Bow-Wow have built a career confronting the challenges posed by dense urban environments. Their city houses--enclosed in vibrant, idiosyncratic forms--are distinguished by their capacity to accommodate the changing needs of the occupants.
In order to set up a list of libraries that you have access to, you must first login or sign up. Then set up a personal list of libraries from your profile page by clicking on your user name at the top right of any screen. You also may like to try some of these bookshops , which may or may not sell this item. Separate different tags with a comma.
Atelier Bow-wow : Behaviorology [Hardcover]
The first book to document the Tokyo-based architectural firm, one of the most innovative practices working today. Achieving near cult status among architectural students around the world, Yoshiharu Tsukamoto and Momoyo Kaijima of Atelier Bow-Wow have built a career confronting the challenges posed by dense urban environments. Their city houses—enclosed in vibrant, idiosyncratic forms—are distinguished by their capacity to accommodate the changing needs of the occupants. A basic feature is the permeability of interior spaces, where public and the more intimate places co-mingle, often in vertical structures with a total floor area that rarely exceeds square meters. Atelier Bow-Wow has a dedicated research division that has published a number of treatises on vernacular architecture.
Behaviorology / Atelier Bow-Wow ; Yoshiharu Tsukamoto + Momoyo Kaijima.
The work of Atelier Bow-Wow carefully studies the social and economic context, relentlessly seeking to turn problems into opportunities. By choosing to study human behavior inside a building, they are extending beyond the quantitative aspects of construction. The work of Yoshiharu Tsukamoto and Momoyo Kaijima at Atelier Bow-Wow has always aspired to capture contemporary behaviors in the process of formation, anticipating emerging realities in the city and then translating them into forms and programs. Momoyo Kaijima was a member of the LafargeHolcim Awards jury in Asia Pacific for the first time in , the year after Atelier Bow-Wow had published their highly influential Behaviorology. In addition to architecture they explore anthropology and psychology.