BASAVANNA VACHANA IN KANNADA PDF

Basavanna was active during the rule of both dynasties but reached his peak of influence during the rule of King Bijjala II in Karnataka , India. Basavanna spread social awareness through his poetry, popularly known as Vachanaas. As the chief minister of his kingdom, he introduced new public institutions such as the Anubhava Mantapa or, the "hall of spiritual experience" , [7] which welcomed men and women from all socio-economic backgrounds to discuss spiritual and mundane questions of life, in open. The traditional legends and hagiographic texts state Basava to be the founder of the Lingayats.

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If you do not read Kannada, here is the notation for the Varna in English :. There is a very strong likelyhood that the later day haridAsas of Karnataka were influenced by the vachanas of Basavanna and others of the 12th century. The first one tells about the desperation and longing Basavanna had for Shiva, the lord of kUDala sangama A place in Karnataka, where river malaprabha joins river krishna. The partridge bird worries about moonlight The lotus flower worries about the sunrise The bee only worries about drinking fragrant nector My only worry is to be reminiscing about you Oh my lord of kUDala sangama!

Ravana, who made wonderful music did not lead a full life. Brahma, who learnt all the Vedas, had to lose his head. Neither is he fond of music Nor is he fond of the Vedas Our good lord of kUDala sangama , is fond of devotion! Listen to this vachana here: nAdapriya SivaneMbaru. Rich build temples for Shiva What can I, a poor man, do?

Make my body the fretboard, Make my head resonator Make my nerves into the strings Sing those thirtytwo rAgas Play intensely Oh the lord of kUDala sangama!

And, if you are keen on reading more vachanas, but do not know kannaDa, here is your best bet — A collection of vachanas tranlated in English by Prof A K Ramanujam: Speaking of Siva. This normally happens at the drut — or fast phrases. You can distinctly hear the sound I am indicating by the phrase thur-thur-thur at several places.

Oh boy, How wrong our inferences could be! This is a song written by Purandara Dasa , acknowledged as a pioneer in Karnataka Sangeetha. The title of this blog happens to be the opening line pallavi of one of his songs. It goes like. Now do you see why I said this technique could not be all that new? Krishna is described by Purandara as playing his flue this way. Nobody has seen Krishna playing his flute.

But Purandara must have see other flautists around his time AD — AD producing such sounds on their flutes, and this of course, he has attributed to Krishna. So far so good. But this song is also significant in other ways. Purandara dasa is said to have composed hundreds of thousands of compositions. Now, we have just over a thousand of his compositions available. There is pretty little information available on how many of his compositions were sung.

However, being the musician he was, some of his compositions talk about various musical aspects, although indirectly.

And this song, tutturu toorendu , is one of them. For a long time, Indian music was supposed to have 32 major rAgas. This has showed up even prior to Purandara dAsa.

Basavanna, a social reformer from Karnataka AD has this in one of his vachanas saying :. However, he does not list out all the 32 raagas in this song. How unfortunate for us? AhEri 4. So, the internal evidence from these compositions is giving a list of 31 rAgas probably out of the legendary 32 — this is but my speculation that were in vogue in the 15thth centuries.

The set of 32 rAgas was not a static list, and over the centuries, new rAgas gained popularity, and some went outdated. The evidence from these three compositions also shows that the rAga kalyANi, was adopted by composers like Purandara Dasa , although the text writers continued to shoo it away because of its foreign origins, and kept saying that the rAga is not fit for compositions for another two centuries!

Kalyani has passed the test of time. Composers who came in the 18thth centuries explored all facets of this rAga, and today it has became one of the major rAgas of Karnataka Sangeetha. Blog at WordPress. Ben Eastaugh and Chris Sternal-Johnson. Subscribe to feed. Tag Archive. Listen to this vachana here: nAdapriya SivaneMbaru The third one goes even further.

Basavanna calls his body as the temple where Shiva dwells. And here is the tranlation: Make my body the fretboard, Make my head resonator Make my nerves into the strings Sing those thirtytwo rAgas Play intensely Oh the lord of kUDala sangama! I could not find a link for the audio or video. If you happen to know a link, please pass it on! And, if you are keen on reading more vachanas, but do not know kannaDa, here is your best bet — A collection of vachanas tranlated in English by Prof A K Ramanujam: Speaking of Siva -neelanjana.

We are so close to the magical number 32! Malahari So, the internal evidence from these compositions is giving a list of 31 rAgas probably out of the legendary 32 — this is but my speculation that were in vogue in the 15thth centuries.

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Account Options Sign in. Top charts. New releases. Add to Wishlist. Basavanna was a 12th-century Hindu philosopher, statesman, Kannada poet in the Niraakaara Shiva-focussed Bhakti movement and a social reformer during the reign of the Kalachuri-dynasty king Bijjala I in Karnataka, India. Basavanna spread social awareness through his poetry, popularly known as Vachanaas.

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If you do not read Kannada, here is the notation for the Varna in English :. There is a very strong likelyhood that the later day haridAsas of Karnataka were influenced by the vachanas of Basavanna and others of the 12th century. The first one tells about the desperation and longing Basavanna had for Shiva, the lord of kUDala sangama A place in Karnataka, where river malaprabha joins river krishna. The partridge bird worries about moonlight The lotus flower worries about the sunrise The bee only worries about drinking fragrant nector My only worry is to be reminiscing about you Oh my lord of kUDala sangama! Ravana, who made wonderful music did not lead a full life.

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