KOECHLIN LES HEURES PERSANES PDF

It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus years. However, it is in the public domain in Canada where IMSLP is hosted and other countries where the term is life-plus years such as China, Japan, Korea and many others worldwide. As this work was first published before or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well. Les heures persanes, Op. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

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It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus years. However, it is in the public domain in Canada where IMSLP is hosted and other countries where the term is life-plus years such as China, Japan, Korea and many others worldwide.

As this work was first published before or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.

Les heures persanes, Op. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Naxos Javascript not enabled. Work Title Les heures persanes Alt ernative. Duration 1 hour Composer Time Period Comp. Suites ; For piano ; Scores featuring the piano ; For 1 player.

Contents 1 Performances 1. Pub lisher. Paris: Max Eschig , Plate M. Javascript is required for this feature. Koechlin, Charles. Early 20th century.

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Les heures persanes, Op.65 (Koechlin, Charles)

T he cycle of piano miniatures, Les Heures Persanes, that Koechlin composed during the first world war, appeared on a Chandos disc three years ago beautifully played by Kathryn Stott. The orchestrations of the same 16 pieces, which the composer produced in , form the latest instalment in the Stuttgart orchestra's Koechlin series. They are masterly arrangements, whose iridescent use of instrumental colour and shifting harmonic layers conjure up perfectly the mood of dreamy escapism and fantasy travelogue, inspired by the writings of Pierre Loti, that informs the whole cycle. Most of the pieces proceed at a slow, trance-like pace; the few fast ones are brief spasms which hardly ruffle the dream-like surfaces. It is elusive, beguiling music, decidedly French in its refined sensibility but hard to place more precisely unless one knows Koechlin's totally individual palette. Each piece is scrupulously detailed, and Heinz Holliger ensures that nothing gets overlooked.

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Koechlin: Les Heures Persanes, SWR Radio SO Stuttgart/ Holliger

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